Run Time
2 hours 30 minutes
Venue
Lacey Township High School
Genre
Musical
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GREASE
Book, Music, and Lyrics by Jim Jacobs and Warren Casey
"Grease", “You’re The One That I Want,” “Sandy,” and “Hopelessly Devoted to You” by arrangement with Robert Stigwood.
"Grease"
Licensing through Universal Publishing North America
“You’re The One That I Want,” “Sandy,” and “Hopelessly Devoted to You”
Licensing through Warner/Chappell & Rhino
“Grease” is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company. www.concordtheatricals.com
Jim Jacobs (born October 7, 1942) is an American actor, composer, lyricist, and writer for the theatre, long associated with the Chicago theater scene.
Jacobs is best known for creating the book, storyline, characters, and lyrics for the 1971 musical Grease with Warren Casey. Grease was adapted into the film Grease in 1978, which would become one of the most successful film adaptations of a musical in history in terms of gross revenue adjusted for inflation.
Jacobs was born on October 7, 1942, in Chicago, Illinois, to Harold, a factory foreman, and Norma (Mathison) Jacobs. Jacobs attended Taft High School, during which time he played guitar and sang with a band called DDT & the Dynamiters. When he was 11, his idol was Bill Haley, but when he was fourteen it was Elvis Presley. He also cites Buddy Holly, Little Richard, and Jerry Lee Lewis as influences, while noting he despised later rock bands such as The Grateful Dead and Led Zeppelin.[1]
When he was a teenager, he would imitate playing a guitar with a broomstick. He eventually convinced his parents to pay for guitar lessons. After four lessons, he quit and decided to buy a guitar book and teach himself. From this, he found a simple chord structure: C, A minor, F, G7—this would later be used in "Those Magic Changes" featured in Grease. While continuing to learn guitar he also was in a band, with guitarist Terry Kath in his late teenage years. As a teenager, he found himself surrounded by Polish-American and Italian-American gangs, though Tom Meyer, the inspiration for Danny Zuko, noted that Jacobs was not involved in most of the illegal activity that those gangs committed.[1] When he was 19, his parents convinced him that he shouldn't go to college, and instead ended up working at a factory packing ink. After a year working at the factory, he decided to quit.[citation needed]
In 1963, he became involved with a local theatre group that included Warren Casey, The Chicago Playwrights Center (at that time it was called Hull House Playwrights Center) run by artistic director Robert Sickinger.[2]
For the next five years he appeared in more than fifty theatrical productions in the Chicago area, working with such people as The Second City founder Paul Sills, while earning a living as an advertising copywriter. He also landed a small role in the 1969 film Medium Cool.[citation needed]
Jacobs' Broadway acting debut was in a 1970 revival of the play No Place to be Somebody, followed by the national tour.[3]
In the second half of the 1960s, Jacobs found himself at a party surrounded by stoners, disgusted by the state of rock music at the time and longing for the sounds of 1950s rock and roll, and was inspired to write a production based upon life in the early rock and roll era.[1] He began working with Warren Casey on the musical; entitled Grease, it was based largely on Jacobs's high school experiences and even used the names of some of Jacobs's acquaintances, with Jacobs inserting himself into the musical as two of the characters, the innocent Doody and the more confident Roger.[1] In its original form, it premiered in 1971 at the Kingston Mines Theater in the Old Town section of Chicago. Compared to the version that later became famous, many of the songs were more Chicago-centred, and there was extensive use of profanity. Jacobs remembered: "When we went to New York... we were told it was necessary to make the characters lovable, instead of scaring everybody. The show went from about three-quarters book and one-quarter music to one-quarter book and three-quarters music."[4]
Producers Ken Waissman and Maxine Fox saw the show and suggested to the playwrights that it might work better as a musical, and told them if the creative partners were willing to rework it and they liked the result, they would produce it off-Broadway. The team headed to New York City to collaborate on what would become Grease,[1] which opened at the Eden Theatre in lower Manhattan. The Best Plays of 1971-72 notes that "Though Grease opened geographically off Broadway, it did so under first class Broadway contracts." The show was deemed eligible for the 1972 Tony Awards, receiving seven Tony Award nominations. In June 1972 the production moved to the Broadhurst Theatre in the heart of Manhattan's Broadway Theater District. Six months later it moved to the Royale Theatre where it played until January 1980. For five final weeks, the run of the show moved to the much larger Majestic Theatre (Broadway).[5] Casey earned a Tony Award nomination for Best Book of a Musical. The show went on to become a West End hit and a hugely successful film.[citation needed]
Grease would be the only musical from Jacobs and Casey to make it to Broadway or achieve widespread success. The two would collaborate on one other show, Island of Lost Coeds: a spoof on 1940s and 1950s B movies: a captain and crew crash on a deserted island inhabited by beautiful women with ratted hair, tiger-skin swimsuits and rubber spears.[6] In 1980, he appeared in the film Love in a Taxi, directed by Robert Sickinger.[7]
Jacobs served as a judge on the NBC reality series Grease: You're the One that I Want! in 2006, designed to cast the lead roles in an August 2007 Broadway revival of Grease via viewer votes. Jacobs stated that he agreed to take part in the show only after NBC offered him too much money for him to refuse.[8]
As of May 2022, Jacobs resides in Los Angeles.[1]
Warren Casey (April 20, 1935 – November 8, 1988) was an American theater composer, lyricist, writer, and actor. He was the writer and composer, with Jim Jacobs, of the stage musical Grease.
Warren Casey was born on April 20, 1935, in Yonkers, New York to Peter L. Casey, a steamfitter, and Signe (née Ginman) Casey, a nurse. He graduated from Gorton High School in 1952. Casey received his Fine Arts Degree from the Syracuse University School of Visual and Performing Arts in 1957.[1]
In the mid-1960s, Casey met Jim Jacobs while acting with the Chicago Stage Guild. In the late 1960s, Jacobs was at a party dismayed at the rock music he was listening to and began reminiscing about 1950s rock and roll. He eventually inquired about writing a rock and roll musical with Casey, who (unlike Jacobs) had not been a greaser in high school but shared a love of the music of the era, particularly doo-wop.[2] The two began collaborating on a play with music about high-school life during the golden age of rock 'n' roll in the 1950s. Entitled Grease, it premiered in 1971 at the Kingston Mines Theater, one of the pioneering companies of Chicago's off-Loop theater movement, in the Lincoln Park section of Chicago.[3][4]
Producers Ken Waissman and Maxine Fox saw the show and suggested to the playwrights that it might work better as a musical, and told them if the creative partners were willing to rework it and they liked the result, they would produce it off-Broadway. Casey quit his day job as a department store lingerie buyer and the team headed to New York City to collaborate on what would become Grease, which opened at the Eden Theatre in downtown Manhattan, moved to Broadway, and earned him a Tony Award nomination for Best Book of a Musical.[5]
The show went on to become a West End hit, a hugely successful film, and a staple of regional theatre, summer stock, community theatre, and high school drama groups.[6][2]
Casey's acting credits include the original production of David Mamet's Sexual Perversity in Chicago in 1974 at the Organic Theater Company. Under Stuart Gordon's direction, Casey created the role of foul-mouthed self-styled makeout artist Bernie Litko, delivering a comically outrageous performance tinged with pathos. In the same year he fronted $1,000 to help start Victory Gardens Theater in Chicago. In 1976, he wrote Mudgett. He wrote (with Jim Jacobs) Island of Lost Coeds, a two-act musical, produced at Columbia College Chicago under the direction of Sheldon Patinkin. He also contributed incidental music to Twelfth Night in 1976 and new lyrics to June Moon in 1977.
In addition, Casey worked in the musical Cats.
At revivals that use the 1978 song "Grease", it is typically inserted at or near the beginning of the show.
At the Rydell High Class of 1959 reunion ("Alma Mater"), old maid English teacher Miss Lynch introduces former cheerleader/yearbook-editor Patty Simcox Honeywell and class valedictorian Eugene Florczyk. Eugene gives a rousing speech, mentioning that the alumni who are missing from the reunion are surely present in spirit. The scene segues to bring in the greaser gang known as the Burger Palace Boys (known in later versions as the "T-Birds") and their auxiliary, the "Pink Ladies", as they sing a cruder version of the Rydell alma mater ("Alma Mater (Parody)").
Flashing back to the first day of high school in fall 1958, the Pink Ladies sit in the lunchroom, and the Burger Palace Boys sit at the entrance to the school. One of the Pink Ladies, Frenchy, introduces her new neighbor Sandy Dumbrowski, who had been unjustly rejected from a Catholic school, to the others (Marty, Jan and Rizzo), as well as Patty. Sandy tells of how she had a brief love affair the summer before, which ended with unresolved love. Meanwhile, womanizing greaser Danny Zuko is telling the Burger Palace Boys (Kenickie, Roger, Doody and Sonny) the story of his own summer fling ("Summer Nights"). The Pink Ladies soon after realize that Sandy's summer fling was the same Danny Zuko that attends Rydell High and arrange for the two to bump into each other at school; the resulting meeting is tense and awkward, as Danny had previously told Sandy that he attended Lake Forest Academy and does not want to admit to the Burger Palace Boys that she was the woman he was talking about. As the Burger Palace Boys leave, Sandy is hurt and angry, but the Pink Ladies cheer her up, by inviting her over to Marty's pajama party.
Shortly afterwards, the teenagers gather in the hall as Doody shows off his new guitar and performs a song ("Those Magic Changes").
At Marty's pajama party, the girls experiment with wine, cigarettes, pierce their ears and talk about boys. The sheltered Sandy goes into shock and falls ill from seeing blood when the Pink Ladies try to pierce her ears, leading them to mock her when she's not in the room (in some revivals, the song "Look at Me, I'm Sandra Dee" is placed here, mirroring the film). Marty tells about her long-distance courtship with a Marine named Freddy and it is implied that she maintains it only because of the lavish gifts he sends her from Japan ("Freddy, My Love").
That same night, the Burger Palace Boys are busy stealing hubcaps, unaware that the hubcaps are on Kenickie's car, Greased Lightnin'. Unfazed by the others' skepticism, Kenickie sings of the upgrades needed to make the car a racing-worthy chick magnet ("Greased Lightnin'").
Danny sees Sandy again at her cheerleader practice, and tries to apologize for his behavior. Patty interrupts and flirts with Danny. Patty informs Danny that track try-outs are nearing, and Danny tells Sandy that he will join the track team to prove himself; he leaves as Patty and Sandy practice cheering ("Rydell Fight Song").
As the Burger Palace Boys and Pink Ladies gather at the park, Danny reveals to the rest of the greasers that he has joined the track team, much to their dismay and skepticism. After Roger and Jan bicker about food, drink, and religion, Jan asks him how he earned the nickname Rump; he explains that, as "King of the Mooners", he has a hobby of baring his backside to unsuspecting victims, and in the process, both reveal their affections for each other ("Mooning"). Rizzo teases Danny for falling for a girl who resembles the excessively proper teenage ingénue, Sandra Dee, and the other greasers join in as she makes fun of Sandy, who has not arrived at the picnic yet ("Look at Me, I'm Sandra Dee").
Sandy, working on a biology assignment with Eugene, comes in just as the greasers finish making fun of her. She attacks Rizzo in a fit of rage and erroneously assumes Danny is the one behind the mockery. Furious, she tells Danny that she wishes she never met him and storms out of the picnic. Danny shrugs off Sandy's negative response, and the greasers pair off for the upcoming sock hop. Danny teases Marty for not having a date (recommending Eugene), and the greasers all laugh ("We Go Together").
For revivals that use "Hopelessly Devoted to You", the exact placement varies. It sometimes replaces the first rendition of "We Go Together" and in other examples, such as the 2007 revival, it is placed early in Act II.
The night of the sock hop arrives ("Shakin' At the High School Hop"). Sandy is at home by herself, listening to the radio and crying over how much she misses Danny ("It's Raining on Prom Night").
Meanwhile, Kenickie comes into the dance with his date, Cha-Cha DiGregorio, a girl from Saint Bernadette's Academy. Patty tries to pair up with Danny, trash-talking Sandy's cheerleading skills in the process, but is unable to get out of her promise to dance with Eugene despite Rizzo trying to seduce Eugene as a distraction. Kenickie ends up paired off with Rizzo, and Danny with Cha-Cha. The MC Vince Fontaine, a radio disc jockey, begins the hand jive dance contest, and everyone eagerly participates as he tags the contestants out ("Born to Hand Jive"). In the end, Danny and Cha-Cha are the winners. Amongst the awards given to the couple, Danny receives two free drive-in movie tickets.
Sometime later outside of the Burger Palace hangout, Kenickie, Doody, and Sonny run into Frenchy. The boys are armed with an "arsenal" of household items and reveal that, to their surprise, Cha-Cha was the girlfriend of someone in the boys' rival gang, the Flaming Dukes; the Dukes, hearing of Cha-Cha's dancing with the Burger Palace Boys, challenged the boys to a rumble. Danny sprints into the scene wearing his track suit, to the disbelief of the other boys. Danny tells the boys he cannot partake in the rumble because of a track meet and sprints off.
The three remaining boys go into the Burger Palace for a snack before the fight, and Frenchy laments at what to do with her life, having dropped out of beauty school in frustration at failing all of her classes. The heavenly Teen Angel appears with a chorus of back-up singing angels and tells her to return to high school ("Beauty School Dropout").
The three boys exit the Burger Palace, bemoaning Danny's betrayal while only halfheartedly noticing Roger is unaccounted for. They wait for the Flaming Dukes, but the rival gang never turns up. Roger finally turns up with only a broken antenna as a weapon; in response, the other three proceed to strip Roger of his pants and shoes.
At the drive-in, Danny tries to make up for his behavior and offers Sandy his class ring. She initially is thrilled, but pulls back and exits the car when he tries to move beyond a kiss. Danny laments his loneliness ("Alone at a Drive-In Movie" or "Sandy").
Several days later, Sandy and the greasers — without Danny — are gathered in Jan's basement ("Rock 'N' Roll Party Queen"). Rizzo, who missed her period, fears she is pregnant and tells Marty (who herself laments that Vince tried to spike her drink at the dance) that the father is a stranger who had sex with her with a cheap, broken condom; word gets back to everyone else. The boys offer support as they leave; Rizzo rejects it, leading Sandy to ask her why and presume that Kenickie is the father. Rizzo responds by saying that she is a better person than others make her out to be and that showing weakness is the worst thing she knows ("There Are Worse Things I Could Do"). Rizzo leaves, and Sandy decides what she needs to do to fit in with the greasers ("Look at Me, I'm Sandra Dee" (Reprise)).
The next day, the boys are hanging out at the Burger Palace. A dejected Patty reveals Danny, who follows her in, has reverted to his old ways and quit the track team. Sandy comes in alongside the Pink Ladies, having transformed herself from an innocent schoolgirl into a greaser's fantasy, punching out a dismayed Patty. Danny is delighted at this change and the couple express their mutual feelings for each other ("All Choked Up" or "You're the One That I Want").
Afterwards, the greasers prepare to head to Roger's to watch The Mickey Mouse Club, inviting Patty along. Frenchy takes a job as a makeup saleswoman at Woolworth's, Rizzo reveals that she is not pregnant, and she and Kenickie reunite. All ends happily, and the Burger Palace Boys, the Pink Ladies, Sandy, and Patty sing about how they will always be friends to the end ("We Go Together" (Reprise)).
March 26, 27, 28, 29, 2026
2 hours 30 minutes
Lacey Township High School
Musical
Wheelchair Seating
All Gender Restrooms
March 26, 27, 28, 29, 2026
2 hours 30 minutes
Lacey Township High School
Musical
Wheelchair Seating
All Gender Restrooms